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Fogwill: "You could not do anything that had nothing to do with the war (...)" I

Petrone for Graciana http://www.elfisgondigital.com/fsgnw/arte/nota.vsp?nid=57523

"I could do anything he had to do with the war, the water heater exploded in a neighbor cagabas you scared because you thought the war was in Buenos Aires, "said Rodolfo Fogwill Rosario during a presentation at the seventh edition of the novel" The analyzed texts "(Editorial Sudamericana). The meeting was held in high Bookseller Homo Sapiens, to a large audience, where the journalist Osvaldo Aguirre coordinated "an open interview with the writer." There not only spoke about the reissue of his book but also the process of collecting Complete Tales of girl punk and award-winning story of the many voices of his characters.

While it is true that after the defeat of Argentina to Great Britain in the Falklands (1982) the dictatorial government in turn prompted a profound process of forgetting to cover up what happened, so is it equally strongly promoted nationalism and a patriotic speech and communication only settled in the country for two and a half months-long conflict. Undoubtedly, for the writer, obsession and attention of the Argentine war- was one of the key triggers that built the analyzed texts, a fictional account, Fogwill controversial fashion, the story of the "jumpers" young soldiers on the islands had no further than the instinct to survive only the present.

The book presented at Rosary is the latest reissue, which shows that nearly three decades of its first appearance (Ediciones De la Flor, 1983) or Fogwill or depleting its war novel readers' interest. Aguirre began open discussion with the writer when he said that in recent years made several collections of texts of the author who was scattered in various publications. "Most writings in the early decade of the 80-said-and in the midst of these reissues will produce the finding of books that were lost or hidden in draft."

O: A: "These collections means a range of delivery and reading about yourself, how was the process of republication of your work?

-Rosario A poet and editor who has a bookshop in Buenos Aires (Editorial galore) and published many books of poetry young (losing lots of money) and so great, tortured me asking for books. I write very little and finish doing what I am not satisfied. But there are two or three of my books out there, one is called Our way of life and a Union for Aquino, who had delivered in 1981 to South America. At that time I made 100 copies, photocopies. I worked in the group and there was no Internet Softman to waste time on the laburo, so when the machines arrived Seros, toiling long lost family photocopies Macri.

A friend I was typing the file away neatly and I gave them to my friends. I thought some of those books had to be and sure enough, digging, he got a South American editor, whom I had given him a copy, give me. I put hand corrected many things and brutality that had at that time. That started the epidemic and English publishers began asking me for books and I replied that I could not publish a book that's worse that I wrote so far. I put a price on some publishers print titles and able to pay what I think are worth out: A human case of survival ...

O: A: "That book you are referring to which is arranged in blocks but not chronological order ...

"They are themed stories. In "Collected Stories" begin to reverse the issues, if there is a lot of sex in one, take it out to the next. If I start in first person, the next one start at first. If some are on current topics and everyday, I try to get some more cultural. I believe that this system of 21 stories, the index, I managed to have perfect timing and not a little. I invite you to read the full stories of Cortázar or Nabokov or Faulkner that came in the same collection and produce a feeling of repetition, 'to and what I saw or similar. " Or Onetti, pass it as boring to read the same voice for an hour and a quarter, that's what it takes to read three or four stories.

VOICE CHANGE OF SEX AND ALSO I tried

to change the voice. I had started with the first edition published a few stories that came out about fifteen times: Girl pank, which was not called that but my dead punk. It was a book that came out as it had been published in a contest. When I sent the contest tried to give him a rhythm and there's a famous story, the story of a girl who grew up in the revolution of May and comes to live until 1960 and in the way of your life becomes a man. The following story that begins with a phrase that says' first disappointment of the reader, in this account I am male. " He played well. Since I had another story bisexual, because the narrator was a boy but that at no time showed I was a man except in the author's signature on the last page shows that it is a woman. So I played with the three other editions. The fact is to sequence a story book, which can be a dull thing.

O: A: - How displayed the voices of the characters, how are they giving?

"They are the voices of the characters is the inner voice of the character in which I become me to write. Elvio Gandolfo says that in the preface of "The Complete Stories:" There is a good book Fogwill, is a book of seven different authors who have in common Fogwill brand. " Fogwill mark on stories and sometimes poetry is the mark of a well known art for humanity, for all cultures. It is the art practiced here Nini Marshal, which is based on completely blend with a character and make him live verbally.

Who was here a Nini Marshall program? He had a lot of characters, she Jovita, Dona Josefa, Catita and could speak and had things. Obviously the human brain can not process decisions of conjugation, adjectives, punctuation or emphasis. All that goes into an oral discourse can not be processed at the time of consciousness, or at least in the time it runs more or less the conscience of our clocks (which is the time to write our hand typewriter, for that matter). And our hands can not process at that time and to keep track of the voice has to be done in a much faster time. We do not have that option but if you have that part of us that moves from a state of trance, madness, hysteria ... "How did you get up that mine? I do it, I jumped, I played! ". If the rate had been raised: "I under the tie, I close the zipper, I remove the slime, I remove the gum I stick it in your pocket ...." If the guy does all of that was the mine program to another. That I lived in a different order of life, in a career ...

O: A: "The time when you wrote the novel in '82, during the process, what appeared analyzed texts?

"Everybody was on the theme of war, worse than global. I could do anything he had to do with the war. The water heater exploded in a neighbor cagabas you scared because you thought the war was in Buenos Aires.

The novel has a construction project, in addition to the voices. A work plan will develop things ... did not really know what he developed. I invented a hole, analyzed texts, which is like a gatusera (invented by Uruguay) to build small camps under very similar ground to pee. I had to make sense, show some military action. (Take a breath, take something that gives me desire to write and move on ...).

O: A: "But always said that the novel is not about war ...

" It's not about the war. If war had been consulted on the manual, I have sought or had gone to England to request information from the secret services ...

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, Miguel Sedoff, is the first volume of the series' City & Shore "

Graciana Petrone,
for http://www.lacapital.com Signs. ar/ed_senales/2010/6/edicion_84/contenidos/noticia_5100.html

"After a failure," wrote Fyodor Dostoevsky, the best-laid plans seem absurd. " So it seems that the pain appears after any attempt to be frustrated or if the lack of clarity necessary to resolve in time the blows of fate forced to make wrong decisions. An evocative insight into the complexity of everyday life, completely exposed discursive maturity is the Miguel Sedoff puts in his book of short stories I . In it, the abrupt and violent end, typical of a fantastic story, is not necessary to shock the reader: suspense stories unused, as real as cruel, makes ambiguity of human relationships outweigh any magical fiction.

Sedoff also shatters the myth that only novels cause this urge to turn the page to find out who the murderer or the final absolute bewilderment of some wonderful stories. I tell stories of ordinary people rather than daily or cease to have trim domestic complex and immersive.

With the necessary narrative distance as merit and appeal, the judge has no reality as it is and not what you want. Make a thorough analysis of the characters, he dives into the thread of his thoughts and provides in detail the internal conflicts, which keeps the reader immersed in their minds and speculations. "The perfect story," says the author does not exist. " In everyday life, then most painful events occur and enemies, which take the form of a silent partner, usually their own mistakes.

All his characters have a common axis which is emptiness, sometimes forced to drop or irretrievable and others, by choice. But with the stoicism necessary to address such situations, the slogan "the show must go on" will not be easy to apply for many of its protagonists.

Such is the case of the last story in which George, during a fateful summer, loses his wife and children in a car accident. Nor for the life of Betty, the story "Post-it" when his life after relegation for years to raise a family, skirts the limits of insanity to the repeated infidelities of her husband.

I account, inter alia, the scenes of marital separations caused by painful boredom of everyday life, despair and abuse. It describes the position in the world of a man who suffers from obesity, approached from his innermost thoughts. Also wrong decisions of the protagonists adverse situations that often become nonsense, as in the story "Open Water", in which Reuben, after breaking up with his girlfriend, do not choose best action to recover the self-destruction.

The fidelity of the stories I is so strong that if the author used the same character for all his stories make no difference at all. Almost like deja vu, let this strange sense of familiarity about an event, a place, a memory, a failed attempt as tangible happened, or it can happen to an ordinary person in the least expected moment of his life.

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Like a letter ... Praise

If you knew how it changed overnight. The streets are deserted. Sometimes I go out some night, as twenty years ago, but nothing seems to then and there is nothing that disturbs me more than to plunge into the past.

The Olympia opened a branch of the Royal, can you believe? We lost the province, we went to the B and I have little laburo above. Sometimes I think they have an infrared laser that reads the Viva Perón, dammit! to have tattooed on the forehead (that must be it, I say, it is written in invisible ink).

were closed billiards and a few remained. In the Montevideo San Martín and still meet some of the guys. Pilo, Doll Castillito and departed. The Polish shot him in the door of his house, it was not for him but he died as a handsome. A Beroiz sent him to kill an internal, as in 60. A Pudding and Paloma seems to the earth had swallowed and Don Jorge remains strong in the mornings at the cafe on the Calle Sarmiento. What
times that. Every so often I just want to tell you, you know, feel like you're here reading these poems that you wrote or giving me these tangos written on a piece of paper with your old Olivetti. Think that the last time I saw you going in a taxi and you walked by street Mendoza, albeit with less hair, you were the bully in the same way forever. Why the hell did not tell the tachero: stop here! Then I read in the newspapers your name, followed by a rip The shit, how I miss.

Graciana