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THE BLACK ANGEL, by journalist and writer Rodolfo Palacios

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is the evening of January 19, 1952. The stifling summer heat of the streets of Vicente López. In a house in Buenos Aires province Víctor Elías, a respected employee of General Motors, noted along with the anniversaries of the day one of the most sublime moments of his life: "My son was born Carlos Eduardo. It's beautiful. Everyone says it looks like her mother. " But what we know is that with his wife Aida, just brought the world to whom almost two decades later would become the biggest mass murderer of the country's criminal history. The journalist Rodolfo Palacios reconstructed in The Black Angel's life Carlos Eduardo Robledo Puch or The Monster, Red Cat, Hyena, baby-faced Devil (among many names with the press at the time called it), who killed in cold blood and in the back eleven people between March 15, 1971 and February 3, 1972. He

19 years old, his face pale, blue eyes and golden curls on his forehead that Justice was found guilty of committing more than a dozen murders during a wild race heinous crime. Two women, seven custodians of shops raided and two of his accomplices and only friends, Quique and Victor Ibáñez Somoza, were his victims. At last, After grilling, disfigured her face and fingerprints with a torch to the police did not identify.

Keys The Black Angel is not a fictionalized biography. Since it is technically brilliant chronicle sandwiched intimate dialogues and stories. A non-fiction that delves into Robledo and assemble the gears of the machine of terror, even before his first moves are activated evil.

The book collects personal data and profiles of their parents and grandparents, judgments, medical experts, tours of their former homes, facts told by childhood friends and relatives of the victims, among many other items. But the shaft that makes it fascinating is formed by the endless and exhausting meetings with the murderer of journalist in the Sierra Chica prison, where he bleed thirty-seven years imprisonment, without parole.

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Palacios, comments and queries to achieve a solid history with accurate weather environments and without more support than the literature. Assumes the risks of chronic, although it was not easy to keep the emotional fortitude against the Angel of Death, and then tell. On more than one occasion, he says, cost him "hold his gaze" or "turn away from Robledo" within the prison. Outside, the shadow of the murderer was not far behind: the besieged for months by sending cards, which caused him "some disruptions" in his private life.

a particular connection, accompanied by little paranoid states, is the murderer and established journalist. During one of his speeches, in which he asked where he would live in if the Court granted the probation, the criminal said, "In your house! Where do you want to live? I roll a mattress in the living and otherwise. " The delusions of persecution, then, was not an unfounded.

Still, the allure to penetrate the minds of those who for months held the front pages of the press in Argentina outweighed any possible disruptive effects. An immediate trigger that fired five years of work culminated in the reconstruction of a story already told.

"bold" says Palacios Jorge Lanata in the book's preface he writes, decades later, about a character who Soriano installed as a scar in the collective memory. Exit gracefully. " The achieved, no doubt. Reworks the legend from the viewpoint of a reporter or expert "on everything," says Martin Caparros and gender-"the situation at a glance" with "the thickness of a good story."

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Photo Exhibit: "Rosario, a city that is founded"

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and the exercise of evocation reaffirms the presence of memories in the memory of man, the office of the portrait photographer immortalizes to deliver it to the world. A historical function shortens distances and allows places, moments or objects owned by all. Just to set the record retention of Rosario, La Capital Foundation (FDLC) presented the book and sample "Rosario, images of a city that is founded" . They offer an antique look and a current most emblematic buildings of the local city. The prologue and the entries belong to the poet and journalist Alberto "Gary" Vila Ortiz, who was specially convened by the institution to do the job. The photo gallery will be open from Friday 23 July to 30 August.

The book was made on the occasion of the Bicentennial celebration of the country and is "an invitation to remember," says the president of the FDLC, Carlos Vila. That "today, in the light of responses to a country that is still wondering about his possible identity, Rosario answer from the pride that gives the work, know that the city is not the result of any miracle, and that the ones who gave the appearance they did with much effort. "

Views of yesterday, today and forever

appropriations old images file owned MDLC and current members of Sergio Torriginio in the Photo section of the newspaper. Both sides had a unique combination that shows the urban progress, as well as the enchantment that produces the immutability, over the years, the palatial buildings of past centuries.

Some of the places chosen are the Faculty of Law at the Universidad Nacional de Rosario (UNR), the Palace sources, the Theatre Circle, Port of Rosario, the Old Central Market and to the entry of the current bridge Rosario Victoria, which accompanies an image prior to its construction. Each site portrayed inevitably leads to the recall.

Parana, a god indomitable

"Paraná is one indomitable God, even our God," writes Vila Ortiz in the caption accompanying the photograph ancient place where rose the Rosario-Victoria Bridge . As good Rosario and poet, journalist evidence, at the foot of the images, and undisputed that special fraternity among the inhabitants of the city and the river: "Today the city is another, and not give back to the river, the rise Construction has been amazing and the view of Paraná is one from the construction of the Bridge. "

Vila Ortiz explains

that for writing the lines that accompany the photographs turned, in many cases, to his memory. "But more important are the books I used to confirm data, correcting memories, try to get a more accurate, but not the accuracy of a historian, because I'm not" he says. For his work sought, first, a reference work as history is Rosario, Juan Alvarez. Also, books by Miguel Angel de Marco, Rafael Ielpi and more specific as Controversy Rosario Foundation, Pietro Marta or Fruits of Rosario, early modern architecture , Ernesto Yaquinto, among many others.

"What we want in this book is to show the changes made in the city, a city that celebrated the first anniversary of May with a splendid fervor. Today the city is long over and the pictures prove it, "says Vila Ortiz. Without doubt, this selection of images will further help strengthen the memory and admiration for the common places and dear to all of Rosario.

Days and times to visit the photography exhibition

"Rosario, images of a city that is founded" is the name of the exhibition that opened on Friday 23 to 19 in the Museo Diario La Capital. Are photographs taken, some decades ago, accompanied by other present, taken by photojournalists from The Capital, referring to the same scenery. Each image is accompanied by a narrative written by Gary referential Vila Ortiz.

This exhibition, held by the Foundation's Capital on the occasion of the bicentenary of the Revolution of May, is an invitation to recall, a recognition of what is today the city and a question about the future, but above all a tribute to all those who built and who are building a better Rosario.

The sample may visit from Tuesday to Sunday from 15 to 20, until 30 August. The MDLC is grateful for the courtesy of the Museum of the City.

http://www.museolacapital.org.ar/contenidos/2010/07/evento_00118.html

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Black eyes, the economist and writer Eduardo Eduardo Sguiglia

Drama, Action aventra and lands of Africa and Mexico, places that Eduardo Sguiglia chose to develop the most shocking chapters of his book.

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corrupt and bloody conflicts bathe decades Third World rivers, making them ruthless snakes carry with real wars in which anything goes. While today, the historical ideological and political friction in their countries were in part behind to locate the smuggling of precious stones in the international market as the main protagonist. Just the path of diamonds in Africa is the scenario that the economist and writer Edward Sguiglia (Rosario, 1952), chose to develop the most shocking episodes of his novel, Ojos Negros.

a fiction that runs in Buenos Aires, Congo, Angola and even Mexico, which ranges from drama, adventure and action, Sguiglia account the vagaries of Miguel, an Argentinean unemployed forty borders with a marriage in ruins after the 2001 crisis in Argentina, he feels his life has called for the course. In the midst of this profound existential trauma mistress of his best friend, the little known "I care for a few thousand dollars to travel to Africa in search the whereabouts of his brother Tony. An offer bleak, but no less disturbing, that will take you to unexplored paths.

land Once in Angola and Congo (countries spend most of the scenes), new characters will bring you to the ruthless world of power and stones. Hired murderers, miners exploited by insurgent groups and cagamillones unscrupulous employers (foreign diamond solitaire carrying in your intestines and then sell on the black market at exorbitant figures.)

Amid the chaos, a woman reunited, at least for now, this man that was before losing its way. But not only Miguel linking to corruption, forced labor in mines or the diamond trade is what sustains the strength of Ojos Negros. So are the images beautifully described landscapes, customs, dialects, fauna, flora and facades of African landscapes, almost like a travel journal.

In his role as narrator, Sguiglia plays with the times and rhythms of speech: if it appears slow reading, an abrupt turn it back up at times dizzying and infuriating. "It was Borges who said, perhaps on the novelistic genre that many pages are generally promise of sheer boredom or routine? Black eyes survives definitely a relaxed introduction to immerse the reader in a story whose pulsations increase as the pages progress. Increasingly violent episodes, murder, intrigue, sex scenes and unexpected occurrences of a police chief mediocre and corrupt, are units strategically orchestrated to achieve a strong plot and ensure a coherent final vehemence sustained throughout the narrative.

If Fordlandia (1997), one of his early novels of fiction, is currently used as study material in the Faculty of Economics, University of Buenos Aires (UBA), would not be unreasonable think Ojos Negros, which unashamedly displays a mosaic of European and African actors who fight for dominance of diamonds on the black market, do the same in the schools of International Relations and Political Science

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Sguiglia: "The dark side of diamonds consists of indecent work of thousands of people. " Rodolfo

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08/07/2010 - Faced with a first reading, adventure The drama and action are the axes of gender on the revolving Black eyes, the novel of the writer and economist Eduardo Sguiglia. But the story is immersed in a field unknown turbulent account of the voyage of Miguel, an Argentine to the brink of ruin that feel your life is meaningless and accepts a commission no less than disturbing: travel to Africa in search of a person who does not know.

In distant lands, the main character go through adverse situations and intimate with a gang linked to the traffic of diamonds on the international black market. Mercenaries, scenes of violence, sex and love to travel from Buenos Aires, Mexico, to Angola and the Congo. A compelling story that shows no silences a corruption and death struggle for hegemony on the export of gemstones in the world stage.

Sguiglia (1952) was born in Rosario, where he studied Economics. He lived in Mexico between 1977 and 1982 and since 1983 has lived in Buenos Aires. He was professor of the UBA and the first Argentine ambassador to Angola. He is the author of several investigations and trials, including Agustín Tosco and the powerful club that won two national awards in economics. His stories and novels - "Fordlandia", "Do not trust me if I heart failure" and "A handful of glory" - were translated into different languages \u200b\u200band distinguished in the international competitions Dublin Literary Award and Grinzane Cavour.

In an exclusive interview to The Digital Voyeur the author of Black eyes the genesis of his book, the influences of their stay in Angola in his stories and his eye on the performance of Argentina justice regarding the trials of repressors the last military dictatorship.

- How did the construction of this novel and how they influenced the story, having lived in Angola?

"The creative process is difficult to explain. The ideas floating in his head until the time comes, be postponed, dunk on paper. Recognize that living in Africa was a wonderful experience for me and that undoubtedly facilitated the construction of this novel. But while Ojos Negros speaks of various real-extraction elements and the diamond trade for example, none of them worked as the trigger of the story.

"The description of landscapes and cities are amazing, almost like a travel journal, are the eyes of Sguiglia Eduardo (Argentine foreign land) that recorded all these pictures and then the writer (far economist) poured faithfully in the book?

"Well, I had the opportunity to travel the Lundas (northern Angola), the Congo and Mexico. However, I think all images are the story that captures and records in his notebook Miguel, the main character.

"In the conflict diamonds in Africa, European countries are tearing their hair out as the first Human Rights Defenders in the world, Are they the same that feeds the black market?

"Indeed, the dark side of diamonds consists of indecent work of thousands of people.

-Fordlandia, one of the early levels is used as study material in the Faculty of Economics, UBA, "Ojos Negros will do the same in the schools of Political Science and international relations?

I did not know what to Fordlandia. It is a pleasant surprise that a novel is used as study material. If the same thing happen to me again Ojos Negros surprise.

-Ojos Negros promises a relaxed reading but at one point the story becomes an abrupt turn the dizzying and at times, even maddening, "only appeared or is a resource used to conscience?

-not define in advance the pace of the story. I tried to move the way I was more comfortable and satisfying.

- In the coming weeks you will travel to Rosario witness in the case Genaro Diaz Bessone repressor. More than three decades, do you believe that impunity is over for those who acted overlapping dictatorial government? Some

-laws and governmental decisions, as the laws of obedience and end point and Menem's pardon, with the passivity of some judges, delayed and obstructed the process of those guilty of many crimes against humanity.

However, although having more than three decades, it is important that justice further progress so that you can know the truth and punish the oppressors