Starch To Go With Pork Tenderloin

Rincon Slaughter Pump: A passage in Argentina's history macabre

Graciana Petrone

Hundreds of Aborigines were Formosa massacred while peacefully demanding food. Require the Federal Government to recognize the genocide.

Around 500 dead bodies and pools of blood lay scattered on the paths that line the central plaza of Ayo pump, a small town in the province of Formosa. The tragedy occurred when the National Guard troops opened fire on hundreds of community members Pilagá, who claimed in a peaceful manner by sending supplies and medications from Casa Rosada. Although one of the premises of journalism in reporting is the immediacy of fact, when these data are met in 2005, the news was old. Aboriginal tribe attacked had to wait more than 50 years before coming to light the truth about the slaughter of his people that he suffered in October 1947.

The genesis of the fact that at present known as "October Bomba", took place in the middle of last century when Pilagá tribesmen refused to work as slaves on sugar plantations in the province of Salta and returned to Formosa. Upon returning to their place of origin faced another harsh reality: the lack of food. It was then that the government initiated claims of Juan Domingo Peron. "When General learns of the situation sends two wagons with food, clothing and medicines, "says Rodolfo Hachen, linguistics professor at the School of Anthropology National University of Rosario (UNR).

But the truth is that supplies were withheld by police Formosa and allocated among the police and some locals. According to scholar, just let them "offal and rotten food, which caused the" death of over 50 indigenous poisoning. " Pilagá community believed that Perón had defrauded and left to claim peacefully, totally unarmed, while the police brutally killed about 500 Indians, mostly women, children and elderly. "As an absurd scene in a movie of Leonardo Fabio - he explains - hundreds of them marched through the streets carrying portraits of Perón and Evita and were shot by machine guns."

The truth unearthed and a claim that continues

During a scan carried out by professionals Team Forensic Crime Investigation, 17 March 2005 were found 27 bodies buried in different places the town of Ayo pump and its surroundings. Enrique Prueguer, one of the specialists in charge of the investigation that opened the door of one of the bloodiest hidden passages in the history of indigenous peoples, detailed in his report that the remains were not in a common grave but were found in various locations. "The slaughter did not end when the police attacked the Indians during the demonstration - Hachen clear about it - but were pursued and killed and buried as the last."

Pilagá community now claims the state that the "October Bomba" is recognized as genocide. The request was made by the lawyers Carlos Julio Garcia Diaz and Federal Court of Formosa in 2005, in a lawsuit where they demanded that the nation compensation to Aborigines "for damages, lost profits, damages, moral damages and determining the historical truth" . According Hachen account, Foundation Rigoberta Menchú acted as collateral in these trials, in which called for an economic compensation to the "same treatment" had been given to victims of military dictatorship.

"The Government's response - says Professor - Was that it was not genocide because Pilagá not constitute a people. They were denied the historical fact and nature of citizen. " Hach, the reason for rejection was because of Nestor Kirchner, who was head of the National Executive in 2005, refused to comply with a request addressed directly "against the figure of Perón". The various human rights organizations the country also joined their support. "Just this year some of the associations are realizing that the causes of Aboriginal people must be defended with the same wording - synthesized - and for the first time in 2010, some groups involved in the Languages \u200b\u200bCongress. "

Hachen

Rodolfo, a professor of linguistics at the Universidad Nacional de Rosario

Fuentes Rodolfo Hachen, University FM interview, May 30 , 2010

Documentary / file

Indymedia, Eduardo Rodríguez Baz note

Faces On American Coins

Lunita Rosarina: a book containing the columns written by Sebastian Ries for the online edition of newspaper La Capital

to www.elfisgondigital.com


"Someone said Once I left my neighborhood ... when, but when?, if ever I'm coming. And if I forgot once, the stars of the corner of my old house, hands flashing like friends told me: 'fat, stay here, stay here ....' " As the voice and dying and broken the "Polaco" Goyeneche in "Night of my neighborhood," Lunita Rosarina (Editorial Homo Sapiens), Sebastian Ries's book, treasure this strange attachment between the attachment and longing.

Although it is difficult to define at what stage of the literature lie the micro-stories that make up the work, the fact is causing the impact to be at the vehemence of a song that brings the inevitable tango "Sur" "Niebla del Riachuelo" or "Vuelvo al sur" and outlines a kind of 'I was there', 'did the same' or 'pucha, how time passed. " However, tactile, olfactory, visual and hearing of the images reconstructed by the author, are totally clear and tangible though years definitely have elapsed relentless.

The book launch was held at the Auditorium of the library and called Homo Sapiens many "friends and readers" that the author acknowledged their presence, visibly moved. He was accompanied by Marcelo Scalona writers and Andrea Ocampo, who presented two separate analysis of the work presented, which is the third title of the collection "City and Shore."

Rosario Lunita

brief written together Riestra published weekly in the online edition of newspaper La Capital of Rosario, where he also serves as Editorial Secretary. "When the paper web facing columns as open space, there is no indication that one may exercise his pen," said the author, so he decided to embark "on the waters of the first person." The writings, he explained, are totally unrelated to information or coverage and talk about the city, love, country, politics, bars, streets, books and friends.

Miscellaneous "or Aguafertes Arlt?

"I hate the label of Etchings - Ocampo said - although it captured the spirit of Arlt and circulating the same way: in a newspaper and now a book." For the writer, some of the stories are about the chronic Riestra and other mutate to become Microfictions: "Above all, move on the edge, dangerous terrain where social criticism mixed with poetry and politics intersects with personal memory. "

According Scalona, \u200b\u200bRosario Lunita construction is a line of poetry consisting of short texts or miscellaneous, with the ability to construct phrases with great care. "This means that in a prose as it is to savor the lyrical impact and shock, beyond the revelation of a truth or justice complaint," he added.

"For freedom and for that friend who is no longer"

One of the most moving moments of the night was near the end of the match when Lunita Riestra dedicated to Omar Rosarina , "a dear friend and companion of adventures" died. "Black, for freedom," he said, after filling his glass from a flask (which may well be full of gin or gin, but meaningless to know what drinks are concerned) and making more of a thrill this is to tears. Then read the text "Goodbye friend," transcript at the bottom of this note.

"A city between the boulevards - said Ocampo - where where generations come together and recognize as a small inner city and it places special meeting. The book, undoubtedly, has the magic of a way of looking at a common area, an ineffable place where only the Rosario recognize the roots, perhaps love (why not indifference) and traveled everywhere left behind, either demolished buildings, pubs that closed their doors or simply that they were buried in oblivion.

Goodbye friend, by Sebastian Ries

http://www.lacapital.com.ar/columnistas/sriestra/index.html

alcohol was a time strident and unlimited adventures. The city began where we wanted and never ends. The night, however, and as life had purpose: inevitably came, unwelcome but beautiful morning.

(And we found anywhere, almost always laughing. Irreverent, wild and, now I understand, "beautiful in challenging our freedom, who refused to be defeated by the world, by reason and by the year).

Now, of course, too late. As usual, death came first and stayed with all the flowers. The flowers are rotting and the memories go. But there is little time before, to try to save the words.

And that's what I'm doing here, save the memories the death that took his friend. He is already dead but please do not pass the same to the memory. He already was, badly and in pain, but we will not let pain beat us and we crush, we turn to dust and oblivion.

The city opened us we were generous and without fear. We were friends as only the twenties is a friend. We did not care all that much, that is, we care about what's important. That list did not include the money and women: self love, which is not the same. And the books, records, trees, rivers, bottles, ideas, streets, dogs, playing cards, the sweetness.

We believed in the gestures and were able to have them. We believed in the venture and had the courage to look. We believed in the sea and went to see him.

What separated us after not matter. We will always be together in one village. Our shadows were out there hugging. In a neighborhood walk zigzagging a bit: gins we walked hand in hand.

not need anything else have been. With that achieved. We did it once and we flourishes. The petals are slipping through the mouth. We fly as we get confused with the sky.

The Black walks in bars and in us. Until we meet again, will be. Flag that we carry in the wind.
Amigo.

Sebastian Ries

Author information

Sebastian Ries was born in Rosario (1963), published four books of poetry: Acid in the hands (1991) , The future of the dead (2002), clitoral (2003) and Romero (2004). participated in several poetry anthologies, coordinated workshops and courses in Rosario, Buenos Aires, La Plata and the province of Santa Fe is currently undersecretary of newspaper editorial Capital of Rosario.

How Do You Start Playing Tech Deck Live

Horacio González, "libraries must rethink"

Graciana Petrone for
http://www.lacapital.com.ar/ed_senales/2010/11/edicion_106/contenidos/noticia_5031.html

Horacio González

more than six years ago led by the National Library, the place where they spent the great cultural definitions of times throughout the history of Argentina, mainly during the nineteenth century . Insoluble carrier and philosophical dialogue, Horacio Gonzalez faces one of the most profound and paradigm of the day: the forms of reading and appropriations that generates the e-book, between that ideal romantic location for all the past was better and the need to adapt to new technologies. "There

symbols and stories behind the books, but now it seems that in adolescents the degree of ownership and appropriation of these traditions are drawn on a line a little fuzzy. Why?

"It is true that there is a discontinuity in culture and this provides an opportunity for new generations to pick up the thread. They are currently changing reading patterns and hotspots cultural interest, although it is difficult to imagine a society or a historical period without the same cultural tasks that are reiterated, under different names, throughout all time. Reading will be provided disinterest (or trial on the lack thereof) will also exist. There will always be those who declare that the previous generation or the one that follows are selfless.

- mark historic moments in culturally appropriate ways?

"Not in vain there is a true privilege for our own time and that is common to say" my time. " We always believe that there is a golden age, the time to be presented as Adamic, primitive; time of the birth of the things that we would have attended and we had that privilege. Each generation makes a computation on the disappearance of the things we have been interested, but we must be confident that every time someone resume the thread. Introduced as a subject is something that has no easy explanation, and all seem capable of being declared lazy, indifferent, to be out of the conflict and concerned about our own stuff. However, sooner or later, we broke loose threads that seemed extinct.

-The eBook is because of ongoing discussions. How does the National Library-related projects that question?

"The book addresses living with all forms of book known, but we have the obligation to declare the book as a higher form of paper. The eBook is a small mobile library which raises the possibility that some bookstores and libraries can be subjected to harsh questioning. Mediations urban life experience of the book could disappear and would not want that to happen, so there is a significant responsibility of the companies that broadcast the ebook. When it comes to support, civilization is not a string of media ranging from DVD to iPhone, but a set of supports asymmetric and discontinuous. So it can not be equal to the electronic book of five or six centuries. I favor the digitization process, but no general policy in Argentina and France scanning, making it a State issue and dispute the control of culture. Here does not exist. There is technology but lack general projects, you need to discuss with institutions responsible for defining public policies.

- Is it likely, then, that the generations born in the digital age find their significance in the ebook?

"Probably, but I have seen people on the street today with electronic book. There is a locus, a place of reading the world that can be a library or a bus, the book addresses the root replaced but the original experience of the urban reader. One imagines that technical advances can reproduce with some fidelity, but not identical, the effects of reading the book as it is known so far. On one side is innovative and on the other, as that culture makes return to times well past where there was only the relationship between form and content. The technique is wonderful to play at the discovery of new devices, but also fall back to a primitive form of the relationship between form and content.

- How do the National Library its bicentennial?

"You almost strictly parallel with the social and historical periods in Argentina, from Mariano Moreno today. Although at the time there were directors who were more than four decades, today the library is not above the cultural moments. That is always subject to discussion, if the library is part of the state but is expressed in a more immune to the vicissitudes of state policy or if you live the life of state policy. It's an interesting dilemma.

- These dilemmas have been restated following the dictatorship?

-Library live the life of political cycles in Argentina, which presupposes a change of status. Media before talking to the state it another way, were part of the state and at the same time were located with some privileged cultural word. Today who can claim to States are the media and as they appear today in the contemporary world, libraries must rethink their situation, and which are no longer the center through which pass the cultural definitions of the time. They were until the time of Paul Groussac and in certain moments where Borges was simply because it was Borges. Today libraries are saved from the social or community quickly becoming technologies, which at some point is necessary, but should recover their cultural autonomy. Instant

Horacio González (Buenos Aires, 1944) a doctorate in Social Sciences at the University of San Pablo in 1992. Besides director of the National Library, is a professor at the University of Buenos Aires, Rosario National University and the Faculty Free. He is editor of the magazine polled Eye "and among his books are The philosopher earnings, Arlt: politics and madness, The art of travel by taxi and Etchings temporary. González will participate in a meeting where they discussed about the conservation of flat work, which take place on 17 and 18 of this month at the Cultural Center of Spain Park.

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